Signature · Home Theatres
A room tuned to the room.
Acoustically isolated walls, calibrated projection, room-correction DSP, seating laid out from sight lines, lighting that fades to black. The work owners watch films in, not on.
A home theatre that works is less a room than an instrument. The walls have to stop sound rather than colour it. The seats have to sit on a riser that puts every guest in front of the screen. The projector has to be matched to the throw, the screen gain, and the ambient light. The amps have to handle the room's actual cubic volume, not a spec-sheet number. We design and build theatres from intimate 7-seat rooms to dedicated cinemas with curtained masking and isolated equipment closets.
What we handle
Acoustic isolation
Double-stud walls, resilient channels, mass-loaded vinyl, isolated floor systems where needed. Sound stays in; HVAC noise stays out.
Projection & screens
JVC, Sony, Barco at the high end. Stewart, Screen Innovations, Seymour-Screen Excellence for screens — with masking systems for true 2.40:1.
Audio & calibration
Reference-grade speakers (KEF, Revel, Focal, JBL Synthesis) calibrated to the room with Dirac Live or Audyssey XT32.
Seating & sight lines
Theatre-grade seating from CinemaTech, Fortress, or custom — laid out on risers from sight lines, not from a catalogue.
Lighting & integration
Lutron HomeWorks scenes for movie, intermission, and clean-up; sconces and step lights detailed into the millwork.
Notes from the GTA
- Acoustic isolation has to be designed at the framing stage — it cannot be added later without rebuilding.
- Projection rooms in Toronto basements often need active dehumidification to protect equipment.
- We integrate with whatever AV control platform you prefer (Crestron, Savant, RTI, URC) and work with your AV integrator if one is already engaged.
A home theatre is judged by what you don’t hear, don’t see, and don’t have to think about.